Brigitte AMARGER
Statement:
AMARGER is working predominantly with medical imagery and new technologies, in large-scale installations, playing with the aesthetic factors of transparency and reflection.
Her work unquestionably fashion a reflection about human, its place in the society, the universe and the nature, the traces he leaves.
She has a deep-rooted interest for the scientific and medical world and she questions about our actual body that expresses our complexity and mystery, and the future H+.
Sewing together laser cut and engraved X-rays, transplanting and reconstructing the body anatomy, she explores the relationship between a surgeon and an artist.
This diversion of materials, for artistic purposes and memory ends, is essential for her. Sensitive to ecological issues, she finds in her artistic practice a symbolic double direction: create artworks by recycling discarded materials.
Biography:
Brigitte AMARGER (b.1954, France) is a Paris-based visual and textile artist, post graduated from Applied Arts High schools and Arts University of Paris, France. (1978).
She is a Paris-based visual and textile artist who creates mural or sculptural achievements, interior and in situ installations that explore themes of nature, light, memory and human being.
Her practice includes textile and numerical techniques, laser cutting and engraving, photography, painting, mold sculpture and works predominantly with the mediums of medical imagery, handmade paper, hot glue, textile, luminescent and reflective materials.
Since 1978, AMARGER’s work has been exhibited internationally in solo and notable group exhibitions in contemporary art spaces and museums. She is best known for large-scale X Rays installations and discarded materials artworks.
Artist’s work has been included in private and public collections worldwide, featured in various publications and had numerous distinctions.