Botticini Anna
Anna Botticini's works find a genesis in a desert, hostile environment, in which the Human Being, reduced to a minimum, moves and tries to make a radical investigation into the mechanisms of existence.
All relationships have always, relegated to the recesses of their nature, something morbidly obsessive, intensely cruel.
The tragedy begins to develop its morbidities through this Human Being, never fully accustomed to the company, having to answer first of all for his existence, but at the same time not even willing to be completely alone.
He will never be able to evade the laws of inadequacy, he will never be able to remedy his archaic disharmony, nor to synchronize his own oscillations with those of his double, with those of the other, with those of the world.
Therefore, in the lowest area of oneself, an ancient residue of original anger remains, an aggression derived from its nature as a paradox, a principle of universal resentment; and in this mass of incomprehensible torment he feels abandoned and disoriented.
Despite this impossibility of fully understanding the ultimate Meaning, the essence of things, the Human Being equally tries to answer the mysteries that are revealed only in the form of nameless epiphanies, atmospheres, impressions.
